A rock concert, the irruption of the police, four friends forced to flee quickly and forget their backpack there. Friendship and adolescence combined as one, the future less than a time to travel rather than a space (a city) to discover.

En el movimiento del paisaje. (2012) 　　Director: Lois Patiño 　　16:9 / color / HD

It tells a thriller story about a chase that begins with an old priest who pretends to be an old man who died alone in a dilapidated neighborhood and hears the prisoner's confession, and a middle-aged female detective working together.

The story of a music academy student Zdenek, who meets a charming girl, and without realizing also gets a son with her. Dealing with such a situation is not easy, especially when one day the child's mother disappears. Twenty year old Zdenek faces a serious decision. Although he is aware that a child may endanger his studies and perhaps even future career, he refuses to entrust him to the care of the state institution.

A thwarted Lady Maud runs off to her solicitor to start divorce proceedings and that gives Sir Giles his bright idea-why not run the proposed bypass for the area through their very own Cleene Gorge, thereby wrecking Lady Maud's ancestral home and copping rather a lot of compensation from the government to boot? Witness the frolics of the bumbling dundridge - the Y-front clad man from the ministry, Sir Giles' versatile Mrs Forthby - Mediterranean harlot and naughty schoolgirl extraordinaire, not forgetting Blott himself, gardener and mystery man, casting his enigmatic eye over the eccentricities of the great British aristocracy... Starring, George Cole, Geraldine James, David Suchet, Simon Cadell and Julia McKenzie

Can a convicted murderer genuinely repent and reform? If you were the prison authorities, would you find it easy to decide if he should be released?

Idyllic Suburbia. Mom 'n' Apple Pie. Or not. This outrageous comedy turns suburban America on its head. Mad cow disease, Corporate Greed, Mob Mentality, the Cult of Motherhood, propaganda, discrimination, and dangerous kitchen utensils all find a home in this wild social satire.

Two sound artists play and listen into the large hole of the Garzweiler open-cast mine as a self-experiment. The camera observes the conflict at the hole, looks and listens into it. All attempts to alleviate or stop the wounding of the landscape seem fragile, helpless and perhaps even futile.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.